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About

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Teresa Russo

Born in Milazzo, Messina in Sicily (Italy)

Lives & works in Boca Raton, Florida, US

 

Teresa has curated art exhibits at the Wilson Gallery and The Ambassador Peter F. Secchia Building in Washington, D.C, Art Gallery of Guelph, and the Visa Gallery in Niagara, Canada. Her own paintings and drawings exhibited in Italy, India, and US.

 

She has taught courses in the humanities at The Catholic University of America, American University, University of Toronto and Brock University. And she has presented her work at various venues, including Duke University, Georgetown University, Victoria College (ON), Victoria University (BC), Boca Raton Museum of Art, Florida Atlantic University (FAU), Loyola University in Rome, and National Gallery of Art (London).

CV

Education

Bachelor of Arts, 1995

Social Sciences-Politics

(Minor: Philosophy & Studio Art)

The Catholic University of America:

Washington, D.C., US

 

Masters of Art, 1997

Italian Studies:

Medieval to Futurism Art and Literature

The Catholic University of America:

 

Masters of Art, 2002

Latin and Medieval Culture

(Art, Liturgy, and Manuscript Study)

Centre for Medieval Studies,

University of Toronto: Ontario, Canada

 

Doctorate of Philosophy, 2016

Centre for Comparative Literature,

University of Toronto: Ontario, Canada

 

Training

Studio Art Training, 1992

Centro d’Arte La Radice di Rioma, IT

Art History & Studio Art Training, 1993

Loyola University of Chicago Rome

 

Studio Art Training, 1995

The Corcoran Gallery School of Art,

Washington, D.C.

 

Research, 1997

Boccaccio’s Exemplars for Artist

Keble College, Oxford University, UK

 

Grants & Awards (selection)

External Research Grants

  • MLA Travel Grant, 2015

  •  CEWIL Grant, Italian Heritage, University of Guelph, Canada ($20,000 CAD), 2024

  • EWO WIL, digital humanities project of Dante’s Inferno, Brock University, Canada ($23,500 CAD), 2023

  • SSHRCC, Aid to Research Workshops and Conferences, “From Ignorance to Knowledge,” Ontario, Canada ($ 15,000 CAD), 2008

 

Teaching grants

  • HRI grant for Digital Humanities projects with Omeka, Brock University, 2023

  • Experiential Learning Fellowship for DH Project, University of Guelph, 2022

  • Teaching and Learning Innovation Grants for Experiential Education, Brock University, 2021

  • Experience Enhancement grant, CEWIL Canada Program, Brock University, 2021

  • Pedagogical Innovation Teaching Grant, Brock University experiental learning, 2020

  • Guest Lecturer, Renaissance Women (Literature & Art), Brock University, 2018

  • Guest Lecturer on South Asian Literature and Art, Zoroastrian Association in Houston, Texas, US, 2017 

 

Conference & Travel Grants

  • Humanities Grant for ICAP/MLLC Conference at Brock University, Canada, 2019

  • Zoroastrian Association of Houston (ZAH), Texas, US, 2017

  • American Boccaccio Association Travel Grant, Duke University, US, 2016

 

 

Volunteer & Leadership (select)

  • ROM-DMV, Visitor Guides (2017-Pres)

  • Co–Director, Mentorship Program, CCL, University of Toronto (2006-08)

  • Drawing and Oil Painting Instructor, The Shakespeare Theatre’s Southeast Project, Washington, D.C. (1998-1999)

  • Survey Committee, National Gallery of Art, Washington, D.C. (1998–1999)

  • Fieri, Chair of Art Exhibit & Fundraising Committee (1998–1999)

  • International Artist Support Group, Exhibit Chair and Selection Committee (1999)

 

Publications

  • Article online: “JHF Bacon’s Lithograph of Beowulf in Hrothgar’s Mead Hall” In Teaching the Middle Ages (TMA), forthcoming.

  • Article online: “The Azeghio Tapestry: The Arrival of Joan of Arc at Chinon,” Resources for teaching the life of Joan of Arc – A Female Knight and Saint. In Teaching the Middle Ages (TMA), 2022.

  • Article online: “Thor: The Bronze Statue in Iceland.” In Teaching the Middle Ages (TMA), 2021; Rpt. in “Thor’s Visit to Utgard,” a chapter in Roger L. Green’s Myths of the Norsemen: Retold from the Old Norse Poems and Tales. In Teaching the Middle Ages through Novel Studies, April 2021.

  • Books Edited: Recognition and Modes of Knowledge (UAP 2016); Landscapes of Writing: Collected Essays of Bapsi Sidhwa (PL 2019)

  • Chapters in Books: “Introduction: Bapsi Sidhwa’s Contributions to South Asian Literature” (2019); “Introduction: Rising of Knowledge” 2013

  • Several articles in journals on art, literature, and world cultures.

Public Humanities Publications in Bloomberg Philanthropies – Bloomberg Connects App

  • “La spada nella roccia,” for Glasstress Boca Raton 2025 / Boca Raton Museum of Art Guide, May 2025. Audio and Transcript

  • “Koo Jeong A OCV,” for Glasstress Boca Raton 2025 / Boca Raton Museum of Art Guide, May 2025. Audio and Transcript

  • “Camillo Astalli (1619–63) and Diego Velázquez’s Camilo Astalli, known as Cardinal Pamphili” (1650-1651, Oil on canvas, Courtesy of The Hispanic Society of America, New York) for Splendor & Passion: Baroque Spain and Its Empire exhibition/ Boca Raton Museum of Art Guide, December 2024. Text

  • “Juan Carreño de Miranda (Spanish, 1614-1685) and Philip the Fourth, King of Spain” (circa 1635-1640, Oil on canvas, Courtesy of The Hispanic Society of America, New York) for Splendor & Passion: Baroque Spain and Its Empire exhibition/ Boca Raton Museum of Art Guide, December 2024. Text

  • “Juan de Pareja and Copy of the Portrait of Juan de Pareja by Velázquez” (mid-17th-late 18th century, Oil on canvas, Courtesy of The Hispanic Society of America, New York) for Splendor & Passion: Baroque Spain and Its Empire exhibition/ Boca Raton Museum of Art Guide, December 2024. Text

 

Public-facing Writing/ Cultural Exchange

  • Russo, Teresa. “The Divine in Spanish Baroque Art: Luis de Morales's Holy Family,” Boca Living, March 2025 & West Delray Living, March 2025.

  • Russo, Teresa. “Celebrating 40 years of The Crow Eaters,” FEZANA Journal, CREATING BEAUTY: ZARATHUSHTI ARTISTS & ARTISANS Edition, 35.3 (Fall 2021): 31.

  • Russo, Teresa. “Prize-Winning Students look at Giuliano-Dalmati in Canada,” El Boletin, No. 186 (Giugno 2021): 7-8.

  • Russo, Teresa. “Bapsi Sidhwa’s Legacy and Contributions,” FEZANA Journal 31.4 (December 2017): 24–25. [pdf]

 

EXPERIENCE HIGHLIGHTS 

 

Curatorial experience and Exhibit design

  • Preserved and Curated Vanity Fair lithographs & chromolithographs for Trawick & Associates, Washington, D.C.

  • Curated Pippo Bottari’s American Debut at The Ambassador Peter F. Secchia Building, Washington, D.C.

  • Curated a community art exhibit, Our Salon, for HS students; planned exhibit and soirée at The Shakespeare Theatre with special guest, Civil Rights Leader, Rev. Anthony Evans

  • Curator, Exhibition: Red Line, Wilson Gallery, Washington D.C., juror Clifford Chieffo, Chairman of Georgetown University Art Department

  • Designed Jewelry Exhibit for ICAP 2017

  • Curated Canadian photography for Visa Gallery, St. Catharines, ON

 

Arts in the Community – Knowledge Exchange

  • Developed an art program for the Southeast Project

  • Taught oil painting and mural design; taught art history

  • Lectured with Rich Blaustein on Italian art and humanism at the Jewish Community Center of Washington, D.C.

  • Used art exhibits, such as AGO exhibit of Gordon Parks’s photography and Tattoo exhibit at the ROM to highlight ways to understanding modern recognition theory for ENG418.

  • Used Mosaic Ceiling in ROM’s Rotunda to highlight cultural production in Canadian Studies for ITAL2P98 and currently working with ROM Archivist for CND240.

  • Presented “Preserving Mystical Illumination: Giovanni Boccaccio’s De Genealogia deorum gentilium for Early Modern Artists” for Works in Medieval Studies (WIMS) at University of Toronto (2000).

  • Appeared on “Artist on Display” for Jones TV, Bowie, MD, US to discuss Da Vinci’s cross hatching and other artistic techniques (1999).

  • Presented “Antonello da Messina’s St. Jerome in His Study” at the National Gallery of Art: London, England, March 1997.

  • Edited book on recognition theory and published articles, including on the arts, such as “Antonello da Messina's Commemoration of the Lion of antiquity, pursuing the contemplative and active life: Saint Jerome in His Study.” Studi rinascimentali 1 (2003) and a visual: Il Bambino in The Silenus (1997).

  • Former member of A. Salon and International Artist Support Group in Washington, DC

  • Exhibit Chair of International Artist Support Group,  (1999-2000)

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Adult & Higher Education– Museum Partnerships

  • Organizer & Moderator, Dress and Fashion in Baroque Spain, March 2025 event, BRMA

  • ​Organized College Night with Education Department, 2025, BRMA

  • Developed & Presented, The Saints and Mary in Splendor & Passion in light of Dante’s Paradiso, BRMA for FAU, Comparative Literature Department

  • Delivered Spotlight Talk of Splendor & Passion: Baroque Spain and Its Empire, BRMA

  • Delivered Spotlight Talk of The Italian Immigrant Experience Revealed for ITAL3P98 students, Brock University

  • Organized “Dante and Hollywood” with Amilcare A. Iannucci for FIERI Toronto

  • Organized Opera Night at the Botanical Gardens with the Office of United States Congressional Representative, Eliot L. Engel of New York, for Fieri Washington DC and National

Learning & Engagement– Museum Partnerships

  • Prepared tour strategy for K-12 programs, AP Literature, and University visits (Splendor and Passion, Glasstress, Education Morning) BRMA

  • Prepared educational materials for Education Morning K-12, middle school Cultural Experience, and Summer Studio and managed programs, BRMA

  • Attended Junior Achievement events to support career development in Boca Raton

  • Created new volunteer position, Gallery Educators for engagement in the galleries with the Teaching Collection of African Art and Ancient Americas, BRMA

  • Organized Education Morning, tour and art making in studio, BRMA

  • Organized Summer Studio and Science Studio with Community partnerships, BRMA

  • Prepared tour strategy and collection information of Splendor & Passion: Baroque Spain and Its Empire for Bloomberg Connect, BRM

  • Organized religious tours of Splendor & Passion for parochial schools, BRMA

  • Organized Monarch tour of Splendor & Passion for public schools, BRMA

  • Supported FAU Medical School Partnership, BRMA

  • Supported Interactive Room for Splendor & Passion and planning Mucha and Manga interactive with Curatorial and Education Department, BRMA

  • Archive Research, Gallery Talks, and lectures of the first large-scale mosaic in Canada, ROM, University of Victoria, University of Guelph, Brock University, University College

  • Led Postmodernism talk and engagement with Curator at the Gardiner Museum, University of Toronto

  • Material & Culture lecturer and supervisor for training students in Museum Studies, University of Toronto

 

Collection Research and Organization

  • Collected liturgical evidence for 108 saints whose relics are located at the Abbey of Montecassino from 67 Latin manuscripts

  • Researched exhibition and collection catalogues (such as Sotheby’s and Christie’s auction catalogues) to document artifacts and manuscripts of the Medieval and Early Modern periods for CMRS.

  • Tracked information concerning works of art, objects, and manuscripts and tracked location and collectors’ information for the objects and manuscripts for CMRS

  • Advise, research, and recommend on collection of archives in Canadian Studies for Italian Canadian Archives and Italian Canadian Narratives

 

Management and Outreach

  • Supervised production of communication and educational materials, marketing materials, programs and brochures.

  • Trained and supervised 3-20 Associates, interns, and volunteers.

  • Effectively raised funds and in-kind donations for an outreach – art program by leveraging my respected profile within the community.

  • Arranged ABF local ceremonies with political and civic leaders.

  • Organized ABF fundraisers in Washington, D.C., NYC, and Philadelphia, such as exhibit at Mendez SOHO to cultivate donors.

  • Maintained a 4-million-dollar budget for non-profit; on budget committee for conference (grant budget for SSHRCC Aid to Research; Awarded $19, 275.00 in 2009 and awarded $15, 000 in 2007–2008)

Professional Affiliations in the Arts

• American Institute for Conservation
• Association of Art Museum Curators
• Boca Raton Museum of Art

• Canadian Society of Medievalists
• Italian Canadian Archive Projects (ICAP)
• International Center of Medieval Art
• Renaissance Society of America
• Royal Ontario Museum

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